![]() ![]() And then being like, ‘Oh, I guess I’ll play Barry.'” “It was about figuring out what’s the story, and getting into the tone and the feel of it. ![]() The appeal of Barry was never the acting, Hader says. And you would see him saying your line with you and you would have to say, ‘Bill, Bill, you’re mouthing the words again.'” “He knew everybody’s lines because he wrote them, he and his wonderful staff. “He used to mouth your words,” Winkler says. He’s in the scene with you.” Hader has gained more confidence since his early days directing on the show, Winkler says, and lost one distracting habit. You know what? Try this.’ And then, boom. When Hader pivots between acting in a scene and directing it, Winkler says, “I don’t know how it’s done, but you don’t see the seam. Hader would go on to be nominated for an Emmy for directing the pilot, and another for directing an episode in season two, a surrealist one-off that subjects Barry to extended fight sequences, first with a martial arts master and then with that man’s preteen daughter, described as a “feral mongoose.” In total, the show was nominated for 30 Primetime Emmys during its first two seasons, and both Hader and co-star Henry Winkler, who plays Barry’s acting coach, won for their performances. Hader had communicated his ideas about visual references and tone so clearly as he and Berg were honing the idea for Barry that Berg felt confident. “But it is very real in your head.” Paul Smith jacket, Uniqlo shirt. “And it’s like, ‘Yeah, maybe I am,'” he says. And he should.'”Īs a worried child, Hader was often told he was being overdramatic. “And I said, ‘100 percent, absolutely, there’s no doubt he can do it. “ goes, ‘Look, I know in the room you had to say that Bill could direct it because Bill is sitting there, but there’s no one else on the phone. But as soon as the meeting was over, then-HBO president of programming Michael Lombardo called Berg, a TV veteran and executive producer on Seinfeld, Curb and Silicon Valley, in his car. At that meeting, Hader volunteered to direct the pilot, and the network, where HBO and HBO Max Chief Content Officer Casey Bloys and HBO Head of Comedy Amy Gravitt helm the project, said yes in the room. It’s an assumption of responsibility he’s been gunning for since he and Berg first sold HBO the pilot for Barry in 2016. On the third season of Barry, Hader directed five of the eight episodes, and on season four, which is already outlined and being written, he plans to direct every one. We both thought the idea of somebody who was incredibly naturally gifted at something that they didn’t love doing was an interesting internal struggle, the struggle of like, ‘Oh, well he should be a killer because he is great at it, but it’s eating him up.'” And he’s just so unbelievably good at that it just willed itself into being, and he couldn’t stop it. “He didn’t spend six years doing ImprovOlympic or whatever it was,” Berg says. This is not so different, Berg points out, from Hader, who became a star on SNL in his 20s almost in spite of himself, fought crippling anxiety on the live broadcasts, and really just wanted to write and direct. In Barry, which returns to HBO for its third season April 24, Hader plays a reluctant hitman who wants to be an actor. Hader co-created Barry with Alec Berg, writes and directs most of the episodes, and is finally fulfilling the goal that brought him to Hollywood in 1999, before he got sidetracked by a detour into one of the most coveted jobs in comedy: that of auteur. ![]() Now, after years of admiring such filmmakers to the point of mortification, Hader, 43, is becoming something more akin to a peer, taking on greater creative responsibility for one of TV’s most cinematic shows. Annette Bening on Meeting a "Dire" Moment, From Hollywood Strikes to Attacks on LBGTQ Rights ![]()
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